Mad Distortion

with Vermibus

V cov in


If you could modify some aspects of reality, where would you begin?

If I had to change the reality of someone I would start with my reality, it’s not my intention changing that of anyone.

The first face who inspired you distortion:

Goya’s black paintings and caprices have impressed me a lot when I was a kid.

Has it something to deal with madness?

In one way or another all has to do with the madness, to deny it is to be afraid of themselves.

Your feelings about the relationship between art and Berlin today, after the choice of Blue to clear his works, and the closing of a place like the Tacheles:

Berlin is a lively town and therefore is constantly evolving and changing. A city that doesn’t change is a dead city.

Art should always have a purpose, or you just have to be good?

Art does not necessarily have to have a purpose, it depends on each artist and each person who sees the work.


How much importance takes provocation today in attracting attention to your message?

The provocation is a double edged sword, well used can be very powerful but if abused it can backfire.

Three rules to be a well known and appreciated street artist:

“Fail, fail again, fail better.” Fail, fail again, fail better.

Do you think there is some way to stay relevant with their own work?

Be consistent with what you say, feel, and do.

The right soundtrack for your art:

Practically, all the titles of the works I create are fragments of songs I listen and that express, in one way or another, my works. If I had to pick one, it would be Requiem, Dies Irae by Verdi.


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